As another companion piece for my current read (John Gardner’s
Grendel) I read Plato’s Allegory of the Cave.
In summary, the allegory serves as an explanation of enlightenment: it
opens in a cave where many prisoners are chained to a rock facing a wall, where
they can observe nothing but their shadows. When one of the prisoners is freed
and is able to escape to the outside world, he is opened up to knowledge that
he never had in his days in the cave. When he returns to the cave, he tries to
share his knowledge with the other prisoners, but is ridiculed and is
considered stupid for understanding things differently from the rest of the
prisoners.
Grendel
directly parallels the allegory: similar to the prisoner, Grendel makes an
ascent to the surface world, an ascension that brings him out of the reality
that has been created for him since his birth and up to the surface world where
he finds himself in a world much bigger than he ever knew. They, alone, are the
ones who are able to escape to the outside world and “contemplate the sun” as
Plato calls it. This is what sets them apart; they are the enlightened, the
sole possessors of knowledge that nobody else of their company can comprehend
without experiencing it for themselves.
As
Plato says “It is the task of the enlightened not only to ascend to learning
and to see the good but to be willing to descend again to those prisoners and
to share their troubles and their honors, whether they are worth having or not.
And this they must do, even with the prospect of death.”
This
statement brings me to the ultimate question: is it better to be enlightened,
or is it safer to stay in the cave and never leave it?
As the
freed prisoner from the allegory found, once you leave the cave there is no way
to return to it. Similarly, after Grendel was “charmed” by the dragon and given
knowledge, he found it to be a burden, and wished that he was “curled up,
asleep like a bear, in [his] cave” (pg. 137). This statement carries the full
weight of Grendel’s burden. He is carrying the weight of knowledge, weight that
he is finding himself having difficulty lugging around with him. Though it can
be argued that Grendel (and the prisoner, for that matter) are better off
knowing what the world has to offer, the burden they have to carry outweighs
the benefit of the knowledge.
This
theme is seen over and over again: it is in Frankenstein,
where Dr. Frankenstein pursues knowledge only to have it destroy him after his
newly gained knowledge allows him to create a monster. It is in Winesburg, Ohio, when George Willard
takes a “backward view of life” and is open to insecurity, pain, and struggle
for the first time in his 18 years of life. It is seen in The Catcher in the Rye, when Holden Caulfield is able to see
through the “phoniness” of others, and basically becomes an existentialist
because of it. Over and over again, in novel after novel and page after page,
the cycle is repeated: a hero is given knowledge, and it destroys him. So why
seek it in the first place?
Personally,
I think it is better not to know. That is my personal opinion and I’m stating
it expecting some criticism, but I would prefer not to know. A downfall is
inevitable, so why speed it up by seeking knowledge that is not necessary to
achieve happiness? Much like Grendel, I would rather be asleep in my cave.
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